Just one benefit of this new image interoperability is that for the first time, it is possible to do things like virtually re-unite manuscripts and books which over time ( and through carelessness or greed) have been broken up and dispersed across the world. Meanwhile, external software developers have stepped in to build IIIF-compliant clients to display the images, including the Wellcome Lbrary’s Wellcome Player and the Internet Archive BookServer. The presentation API packages each image with its metadata so that users know the originating institution, the title of the image, what page of what book the image was taken from, and so on.Īny interested institution will be able to apply these APIs to their data stores in order to make their own image collections fully interoperable and accessible. It also generates a static URL which allows scholars to cite the image, even an image at a particular level of zoom, in a stable, reliable way. The image API retrieves the images from wherever in the world they’re held and allows the user to select an area of the image and to resize, rotate, and change the colour quality. ![]() To make this work, the community has developed two shared APIs. They have an implementation of Mirador that currently shows content hosted at multiple institutions and will, increasingly, provide access to French content. The Biblissima Project is a hub for digital humanities projects in France that is focused on the written cultural heritage of the Middle Ages and the Renaissance. The project is well advanced, and a number of demonstrations of IIIF imaging serving are now available, including one from Stanford University and one from the Biblissima project. The IIIF recognised that modern scholars need a better set of tools, tools with the potential to take digital scholarship in entirely new directions.Įssentially, what the IIIF aims to do is to present images from any institution in a standard way, via any compatible image server, to any user on the web. And all without the originating institution losing control of the source image. On top of that, there is no easy way to compare images held by different institutions, and often no easy way to cite, share or download images. Held in individual silos and accessed with a wide range of viewer software, some of it years old, there can be huge inconsistencies in useability and quality between different collections. These image libraries are a great resource for researchers, but they’re far from perfect. Image collections, ranging from digitised medieval manuscripts to modern video, have been available online for many years now. The first speaker was Tom Cramer, Chief Technology Strategist at Stanford University Libraries, who spoke about the project’s principles and what the IIIF hopes to achieve. Representatives from the IIIF came to the Weston Library on Monday 15 June to talk about the project in general and the Bodleian’s IIIF efforts in particular. To develop, cultivate and document shared technologies, such as image servers and web clients, that provide a world-class user experience in viewing, comparing, manipulating and annotating images. To define a set of common application programming interfaces that support interoperability between image repositories. To give scholars an unprecedented level of uniform and rich access to image-based resources hosted around the world. ![]() The IIIF is an international community of libraries, museums and digital project groups who have for the past few years been working on a set of tools to make digital image collections much, much more accessible, interoperable, and user-friendly. ![]() Even abbreviated to IIIF (triple-I-F), International Image Interoperability Framework doesn’t quite trip off the tongue, but this collaborative project does exactly what it says on the tin.
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